Distropical Encounters
Samira Ahmadi Ghotbi, Merlin Carpenter et Tobias Kaspar, Mauro Cerqueira, Sébastien Maloberti, Tanat Teeradakorn, Raphaela Vogel, Venice Wanakornkul
27 January — 31 March 2018
“Distropical Encounters”, Installation view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, Installation view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Sébastien Maloberti, Posters , 2018, UV print on composite boards. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Venice Wanakornkul, Ethics II ไปตามลม ไปตามนา (GoFollowWind GoFollowWater) , 2018, Big air purifier fan, Small air purifier fan , A4 Papers, extension Cord , Mom’s Phillips PicoPix projector, Share4You USB *Please keep out of reach of small children. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Venice Wanakornkul, Ethics II ไปตามลม ไปตามนา(GoFollowWind GoFollowWater) , 2018, (detail). Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, Installation view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Venice Wanakornkul, Ethics I เงนใตโตะ (MoneyUnderTable) , 2018, Teak table, mirror, money *Cleaning in progress. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Venice Wanakornkul, Ethics I เงนใตโตะ(MoneyUnderTable) , 2018, (detail). Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Samira Ahmadi Ghotbi, Sans titre , 2018, colored pencils on paper. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, Installation view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Samira Ahmadi Ghotbi, Waterborne , 2018, pencil on paper, plastic bag, water, silica gel. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, Installation view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Samira Ahmadi Ghotbi, Plastic Bag , 2018, acrylic painting, thread. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, Installation view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Samira Ahmadi Ghotbi, Sans titre , 2018, pencil on paper. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Samira Ahmadi Ghotbi, Porous Flowers , 2018, laminated flower, plastic bag, water, silica gel. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Samira Ahmadi Ghotbi, Roar , 2018, color photograph, silica gel. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Samira Ahmadi Ghotbi, Skinny Cat (Tribute to Pierre Huyghe) , 2018, acrylic painting on color photograph. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Sébastien Maloberti, Untitled , 2018, dried tillandsia, steel, plastic. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Sébastien Maloberti, Untitled , 2018, (detail). Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, Installation view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Tanat Teeradakorn, R_G/O_B Matrix , 2018, found images on internet, inter print on wallpaper stickers. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Tanat TeeradakornPCS Transformer, 2018, soundsystem.R_G/O_B Matrix , 2018, found images on internet, inter print on wallpaper stickers.Kill with 999 sec. BPM , 2018, sound collages. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Tanat TeeradakornR_G/O_B Matrix , 2018, found images on internet, inter print on wallpaper stickers.Displacement , 2018, found objects. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Tanat Teeradakorn, Displacement , 2018, found objects, (detail). Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Mauro Cerqueira, Dripping AC Room , 2018, mirrors, wax candles, color pigments, found objects. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Mauro Cerqueira, Dripping AC Room , 2018, mirrors, wax candles, color pigments, found objects. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Mauro Cerqueira, Dripping AC Room , 2018, (detail). Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Mauro Cerqueira, Dripping AC Room , 2018, (detail). Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Mauro Cerqueira, Dripping AC Room , 2018, (detail). Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Mauro Cerqueira, Dripping AC Room , 2018, (detail). Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, Installation view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Merlin Carpenter and Tobias Kaspar, Art 1 , 2018, cardboard, styrofoam and glue. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Sébastien Maloberti, Untitled , 2018, cleaned found board. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Merlin Carpenter and Tobias Kaspar, Art 2 , 2018, cardboard, styrofoam and glue. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Merlin Carpenter and Tobias Kaspar, Art 2 , 2018, (detail). Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Raphaela Vogel, Inspiration , 2018, work in situ. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Raphaela Vogel, Photographs by Paul S. , 2018, color photographs on digital prints. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Raphaela Vogel, Ballcock Enema , 2018, eyelashes, hair, plastic, water. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Raphaela Vogel, Ballcock Enema , 2018, (detail). Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Raphaela Vogel, Siam , 2018, drawing and fabric on cardboard, (detail). Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Raphaela Vogel, Photographs by Paul S. , 2018, color photographs on digital prints. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Raphaela Vogel, Photographs by Paul S. , 2018, color photographs on digital prints. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Raphaela Vogel, Maidenhead , 2018, Acrylic on cut canvas. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
Raphaela Vogel, Inspiration , 2018, work in situ. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, opening view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, opening view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, opening view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, opening view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
“Distropical Encounters”, opening view, In extenso off-site at TARS Gallery, Bangkok, 2018. Courtesy TARS Gallery, Bangkok. Photo: Shinya Matsunaga.
In extenso Offsite at TARS Gallery, Bangkok
As part of its bi-annual international “Off-site” project, In extenso presents DISTROPICAL ENCOUNTERS , both a residency and exhibition project hosted by TARS Gallery in Bangkok.
Several foreign artists will discover the urban and cultural context of Bangkok, where they will spend a two-weeks residency. Meanwhile, Thai artists will join them in order to prepare together a group show to complete the project. Each artist will have two weeks to create one or several pieces on site (they will use the empty TARS Gallery as their studio), using the materials they can find there, either buying production material, finding them, exchanging them or by any other means of diffusion and circulation of goods.
This project takes its own context as a starting point to reflect on the question of ephemeral passage and brief circulation (echoing, thereby, the general concept of exhibitions, temporary by definition). What does it produce? How does the imaginary, the exotic transform themselves, resist or disappear as reality occurs? How does it affect the form? Also, how do relationship with others, cultural exchanges, produce ideas and forms? Constrained on many issues, this experience aims to shed a new light on the consequences of our habits in times of accelerated, shortened, relations, which — without any intent to promote the social acceleration of present times —, still provides encounters, exchanges and mutual influences.
In partnership with TARS Gallery, Bangkok
www.tarsgallery.com
TARS Gallery 3 Soi Srijun, Sukhumvit Soi 67 10110 Bangkok Thailand
With the support of Clermont-Auvergne-Métropole
With special support of Embassy of Portugal, Embassy of France and the British Council in Thailand and Goethe Institut in Bangkok