Left screen: Georges Rey, Les Enfants gâtés de l’art, 1991, Right screen: Quentin Maussang, Commune, 2011, Courtesy of the artists.Left screen: Georges Rey, Les Enfants gâtés de l’art, 1991, Right screen: Quentin Maussang, Commune, 2011, Courtesy of the artists.Exhibition view, “( 1991 – 2011 )”, Quentin Maussang, Georges Rey, In extenso, 2012.Left screen: Georges Rey, Les Enfants gâtés de l’art, 1991, Right screen: Quentin Maussang, Commune, 2011, Courtesy of the artists.Left screen: Georges Rey, Les Enfants gâtés de l’art, 1991, Right screen: Quentin Maussang, Commune, 2011, Courtesy of the artists.Left screen: Georges Rey, Les Enfants gâtés de l’art, 1991, Right screen: Quentin Maussang, Commune, 2011, Courtesy of the artists.Left screen: Georges Rey, Les Enfants gâtés de l’art, 1991, Right screen: Quentin Maussang, Commune, 2011, Courtesy of the artists.Exhibition view, “( 1991 – 2011 )”, Quentin Maussang, Georges Rey, In extenso, 2012.
After Phenomenons (more info), curated and produced by In extenso at Néon in Lyon in 2011, it is now Néon’s turn to conceive a project for the space of In extenso in Clermont-Ferrand.
The exhibition ( 1991 – 2011 ) is built around the two documentary works Les Enfants Gâtés de l’Art by Georges Rey (1991) and commune by Quentin Maussang (2011).
