[IN EXTENSO]
[02_accueil_en]
[03_expositions_en]
[04_editions_en]
[05_contacts_en]
[06_liens_en]
[061_presentation_en]
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IMAGES

All works and pictures are courtesy of the artist - photo credit LBH/IE

Laëtitia Badaut Haussmann

Not even even, vue d'exposition, 2012

Laëtitia Badaut Haussmann

And again and again and again

2012, vidéo HD, 6 min 32

Production Dirty Business of Dreams,

Soutien à la création de la Mairie de Paris,

StudioLab / Ménagerie de Verre

Laëtitia Badaut Haussmann

Manufactured, recorded, preserved, returned

(détail)

2012, pin, pigments

Production In extenso

Laëtitia Badaut Haussmann

And again and again and again

2012, vidéo HD, 6 min 32

Production Dirty Business of Dreams,

Soutien à la création de la Mairie de Paris,

StudioLab / Ménagerie de Verre

Laëtitia Badaut Haussmann

Manufactured, recorded, preserved, returned

(détail)

2012, pin, pigments

Production In extenso

Laëtitia Badaut Haussmann

Underway, figure #2,

2012, acier, peinture, câble

Production In extenso

Laëtitia Badaut Haussmann

Sans titre

Anonyme, image trouvée et retouchée

Tirage encre pigmentaire sur papier

archival mat - Collection de l’artiste

Production CPIF

Laëtitia Badaut Haussmann

Not even even, vue d'exposition, 2012

PRESENTATION


For the last exhibition of the year, In extenso invites Laëtitia Badaut Haussmann to conceive
an installation specifically for the space of the gallery.


Born in 1980, a graduate from ENSAPC (National Art School of Paris-Cergy), Laëtitia Badaut Haussmann circulates with ease between video, photography, writing, sculpture and installation.

At the crossroads of these mediums appears the question of the construction of (a) (hi)story, either memory-related or fictional. The references used in her scenarios are consistently flattened. Her research process makes the narrative disappear to reveal shapes with a strong evocative power that throws her inspiration sources back to a subterranean level.


Laëtitia Badaut Haussmann's proposal for the gallery In extenso is built around the film And again and again and again (2012), made in collaboration with Noé Soulier (choreographer and dancer), and shown for the very first time. In this video he can be seen practicing the pirouette movement to the point of exhaustion. More widely, Not even even reveals how the artist is preoccupied by a specific gesture repertoire as well as the remnants of an action reaching its limits ; whether it concerns the fine and precise movement of a professional (dancer or funambulist) or the unsteady one of children like those in the picture chosen as the exhibition image.


The title of the exhibition Not even even plays on the double meaning of the word "even".
Thanks to the repetition that could evoke the title of a song listened in a loop, these three words suffice to express a wait, a hesitation, a precarious movement, an imminent loss of balance.


In extenso and Laëtitia Badaut Haussmann warmly thank the partners of the exhibition:

Centre Photographique d'Ile-de-France (Pontault-Combault), Artistes en résidence (Clermont-Ferrand), le Nez dans les Étoiles, Bourges School of Circus Arts, and the Bastille Art Centre (Grenoble).


Intern: Marie-Camille Dodat


Media partner: parisART

LAËTITIA BADAUT HAUSSMANN

NOT EVEN EVEN


29 November 2012 > 5 January 2013

opening reception on Thursday 29 November from 6:30pm


Also, not to be missed:

guided tours on Saturday 8 December 2012

on the occasion of


Un après-midi d'art contemporain #3

A circuit in 7 exhibition venues in Clermont-Ferrand
Free, no booking necessary (tours in French only)


Organized by Clermont Metropole Art School, FRAC Auvergne, hôtel Fontfreyde, In extenso, Roger-Quilliot

Art Museum, la Permanence, la Tôlerie


> see pictures of the show

  

Laëtitia Badaut Haussmann, 'Not even even', 2012, image trouvée et retouchée, dimensions variables, courtesy de l'artiste